DRAMA~SUTRA PLAYWRITING PROJECT 

Drama~Sutra is Nautanki Theatre Company’s (NTC) landmark playwriting initiative, conceived to enrich the Australian stage and literary landscape with contemporary, socially relevant narratives. This project specifically focuses on contributing new works that explore the diverse experiences of the South Asian diaspora in Australia.
 
A Writer-Led Collaborative Model:
Drama~Sutra operates as a writer-led collaboration, bringing together emerging playwrights from diverse cultural backgrounds to work closely with the Nautanki Theatre team. Through a structured mentorship program, NTC nurtures new talent and develops raw concepts into fully realized theatrical art forms suitable for professional production.
 
Project Structure and Outcomes:
This year-long initiative follows a comprehensive four-phase development cycle:
  1. Groundwork and Research
  2. Writing
  3. Play Development
  4. Dramatised Readings
 
Writers and their mentor meet monthly to refine their work within the scope of the project. Following the development phase, NTC continues to collaborate with the playwrights to nurture their work, with the ultimate goal of achieving a full production whenever feasible.

Initiated and managed by Creative Director Neel Banerjee, the project aims to: 

  • Offer a creative platform to playwrights from culturally diverse backgrounds to  showcase their talent. 
  • Creation and curation of alternate stories and narratives which otherwise  wouldn’t have been possible. 
  • Act as a bridge between writers, published authors and producer enabling  creative communication towards participation and teaching. 
  • Explore freedom to showcase works in front of a wider audience.

During our inaugural year (2017-2018), Kevin Bathman, Roanna Gonsalves and  Sonal Moore participated in the program, writing three draft versions of full-length  plays. John Suter Linton mentored the team of writers. Following this exercise, NTC  worked with Sonal Moore to produce her play ‘Ten Years to Home’ for two shows  before a sold-out audience at Riverside Theatre in Parramatta in August 2019.

2025-2026

Nautanki Theatre teams up with Saurabh Bhattacharya for his maiden work – Orko, an appropriation of Shakespeare’s Othello. A draft play has been submitted, which will be read at the inaugural Parramatta Literature Festival in September 2025.

2024-2025

Nautanki Theatre is thrilled to be collaborating with Abida Malik. A draft of her maiden play Kameeni has been submitted, and we look forward to developing and presenting the work in 2025.

2021-2022

Nautanki Theatre is excited to work with Tasnim Hossain. A draft play titled Pomegranate Prince has been submitted and Nautanki will develop and present the work in 2024.

2019-2020

Nautanki Theatre worked with writer Vel Subra. Following the unprecedented advent of COVID, we will be updating patrons about the progress of this project, which is at a temporary halt after the submission of the first draft titled Eve and Chrysalis (Working Title)

2016-2017

Nautanki Theatre launched this project with 3 writers – Roanna Gonsalves, Sonal Moore and Kevin Bathman. This project bursary was supported by SBW Foundation. Nautanki worked with Sonal Moore’s play and produced her work Ten Years to Home in 2019 directed by Jules Orcullo at Riverside Theatre in Parramatta.

Selection for this program is through Expression of Interest followed by a screening. We are grateful to SBW Foundation for providing bursaries for our Drama~Sutra  project.

EXPRESSION OF INTEREST

CURRENTLY CLOSED

PLAYWRITING PROJECT OF NAUTANKI THEATRE

Drama~Sutra is a maiden initiative of Nautanki Theatre Company to contribute contemporary and socially relevant plays to Australian stage and literature.
The entire project cycle runs for over 12 months yielding a number of Australian plays about South-Asian diaspora. Project is divided into 4 phases i.e. ground work, play writing, reading and producing. After playreading, Nautanki Company may wish to work with the playwright/s to develop further on the draft versions of play/s with an aim to produce, if possible.
For the year (2022-23), Nautanki company is looking for expression of interest from writer/s who want to write play/s about South-Asian Diaspora or on similar subject.

 

 

Please email Madhavi Shankarling, Creative Associate of Nautanki at ma*****@**********rg.au with your name, contact number and a synopsis. Writers of diverse backgrounds and/or person of colour are encouraged to apply. Writer/s are paid a bursary/small amount during the writing phase. Cost of research can be supported.

EoI starts in October. Selection is done by Nautanki Theatre, and decisions are made public by the end of December. The playwriting program runs from January to June (Research + Writing), followed by a play reading to an intimate audience in August/September.

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